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Wednesday, March 5, 2014

The Anacreontic Ode

The Ode / Greek PoetryThe Anacreontic Ode is proof that an ode need not be long and lofty. The Greek poet Anacreon often wrote odes in praise of pleasure and drink, a Dithyramb or Skolion. Often the odes were made up of 7 syllable, rhymed couplets known as Anacreontic couplets. Some of Anacreon's poems were paraphrased by English poet Abraham Cowley in 1656 in which he attempted to emulate Greek meter. The main concern of several 17th century poets was that the poem avoid "piety" by "Christian" poets who would tame the spirit and make the form worthless. Although the Anacreontic Ode has been defined as a series of Anacreontic couplets, Richard Lovelace's The Grasshopper is thought to be a translation of an Ode by Anacreon, it does fit the subject matter but the translation is written in iambic pentameter quatrains with alternating rhyme.

 The Anacreontic couplet is named for the ancient Greek poet Anacreon who tended to write short lyrical poems celebrating love and wine, a genre known as Dithyramb. By 1700 English poet John Phillips defined the form to be written in 7 syllable rhyming couplets.

The Anacreontic couplet is:
  • stanzaic, written in any number of couplets,
  • preferably short. The Anacreontic Ode is often made up of a series of Anacreontic couplets.
  • syllabic, 7 syllables for each line.
  • rhymed. aa bb etc.
  • composed to celebrate the joys of drinking and love making. Some Anacreontic verse tends toward the erotic or bawdy.
My thanks to Judi Van Gorder for the wonderful PMO site.  It is a wonderful resource.


My try at this form:

Elbow Tango    (Anacreontic Ode)

Come and share with me a brew,
or better yet more than two.
Drink in smiles before you go
exercising your elbow.
We can sit on stool or bench,
drink and flirt with serving wench
with fine limbs and rounded ass-
her charms grow with every glass.
Likely, we'll go home alone
but fine memories we'll own.

© Lawrencealot - March 3, 2014

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Monday, March 3, 2014

Tanaga

Thanks to Judi Van Groder for the wonderful resource at PMO.

  • The Tanaga is a Filipino stanzaic form that was originally written in Tagolog which to my ear is one of the more musical of languages. (Kumusta ka? Mabuti salam at) The form dates back to the 16th century and has an oral tradition. The poems are not titled. Each is emotionally charged and asks a question that begs an anwer. This form was found at Kaleidoscope.

    The Tanaga is:
    • stanzaic, written in any number of quatrains.
    • syllabic, 7-7-7-7 syllables per line.
    • rhymed, originally aaaa bbbb cccc etc., modern Tanagas also use aabb ccdd etc or abba cddc etc or any combination rhyme can be used.
    • composed with the liberal use of metaphor.
    • untitled.



My Example Poem

    (Tanaga)

Casually boys contemplate,
Carefully they cogitate,
what will they appreciate
when they're searching for a mate?

Will she need to cook and sew?
I suspect the answer's no.
Will she need to use a wrench,
or speak Mandarin or French?

Need she work with quilting thread,
or perform with brush or pen?
I think I'll say no again-
if she pleases him in bed.

© Lawrencealot - March 3, 2014

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Note: For example only I used one of each rhyme pattern here.


Awit

The Awit is a Filipino poetry form explained below by Judi Van Gorder
On her wonderful PMO resource site:

  • Awit literally means song. This stanzaic form seems very similar to the Tanaga. It is unique in that a stanza should be one complete, grammatically correct, sentence.

    The Awit is:
    • stanzaic, written in any number of quatrains.
    • a narrative, it tells a story.
    • dodecasyllabic, 12 syllables per line, there is usually a pause after the 6th syllable.
    • rhymed, each stanza mono-rhymed aaaa bbbb cccc etc.
    • composed with each stanza representing a complete, grammatically correct, sentence.
    • composed liberally using various figures of speech.
    • written anonymously.



My example of a single stanza poem

The Climb     (Awit)

I started up the hills, intending on that day
to climb like deer to plateaus where the rocks gave way
to grasses lush and green, above where wild hawks play,
and ended up on top- above all human fray.


© Lawrencealot - March 3, 2014

Sunday, March 2, 2014

Classical Hendecasyllable
Type:
Line, Metrical Requirement
Description:
This is a trochee, a dactyl, and three trochees. The first and last trochees can be spondees.
Origin:
Greek
Schematic:
XX Xxx Xx Xx XX or
 Xx Xxx Xx Xx Xx
Line/Poem Length:
11
See Also:
Status:
Incomplete

To contact us, e-mail thegnosticpoet@poetrybase.info.
Copyright © 2001-2013 by Charles L. Weatherford. All rights reserved.



Thanks to Charles for the wonderful resource above, which after investigation is frequently the only one I need.

I found these in quatrains with abab rhyme, and in a single 15 line unrhymed stanza by Robert Frost. "For Once, Then, Something" the only such he ever wrote in this form.

Example Poem

Extinguished          (Classical Hendecasyllable)

Glowing embers ignite when fanned with ardour
left alone they conserve by self-containment.
Love's lost heat can be flamed by trying harder
Or, ignored and then settled by arraignment.


(c) Lawrencealot - March 2, 2014

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Friday, February 28, 2014

Rustavelian Quatrain or Shairi

Shairi, or Rustavelian Quatrain
Shota Rustaveli wroteThe Knight in the Panther's Skin, Georgia's national epic, towards the end of the twelfth century. It tells of a young prince helping to find a friend's beloved, who has been captured by devils. Rustaveli used a particularly difficult form for it, known by the Georgian word shairi
The recommended rules for English-language shairi are: 4-line stanzas, with all four lines rhyming with one another. The lines are unusually long, having 15 or 16 syllables, and all the rhymes are of either two or three syllables.  
Note for purists
In Georgia, each line of a shairi has exactly 16 syllables, and they recognise two varieties of the form. In a magali (high) shairi stanza the syllables divide 4/4//4/4 (in each of the four lines), whereas in a dabali (low) shairi they divide 5/3//5/3. InThe Knight in the Panther's Skin (or Vepkhis Tqaosani, if you prefer), Rustaveli alternated magali and dabali stanzas for the entire length of the poem - no fewer than 1576 stanzas. 
© Bob Newman 2004, 2005. All rights reserved.





 Example Poem

 Redirected Feelings     (Rustavelian Quatrain)

She faced each day with deep desires- that seemed to her distressing.
Her husband's morally correct, and counts his wife a blessing 
and's careful to avoid an act that might call for confessing, 
and sadly that means he won't watch his pretty wife undressing. 

His attitude left her in doubt that her looks were appealing. 
So secretly she bought some clothes- the kind that are revealing, 
then once each week would flash to men the charms she'd been concealing. 
To watch men stare at cleavage bare, aroused in her warm feelings. 

She soon could not deny the rush- the moist and warm sensation- 
so weekly outings multiplied; then there was escalation. 
Her exhibition soon became a road to fun flirtation,
a road she knew was but a path, a path to her damnation. 

She told herself, "This path is wrong! I'll stop, what I'm inviting. 
I'll find a hobby stay at home although that's less exciting." 
She switched her gears, and it appears, more people she's delighting, 
She's famous now, and satisfied with her erotic writing.
©Lawrencealot - February 28, 2014

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Monday, February 24, 2014

Double Seven

This interesting form was created by Lisa La Grange of Allpoetry.

It is stanzaic, consisting of any number of quatrains.
Each quatrain will have its own abab rhyme pattern,
Where the a-rhymes will always be feminine.
It is isosyllabic, each line being seven syllable.
It is metric, each line having two metric feet, the first foot being four syllables, and the second foot being three syllables.

The a-rhyme lines consist of a secundus paeon + an amphibrach: da DUM da da / da DUM da
The b-rhyme lines consist of a tertius paeon + an anapest
 da da DUM da / da da DUM


So the meter of a stanza is thus:
da DUM da da da DUM da
da da DUM da, da da DUM
da DUM da da da DUM da
da da DUM da da da DUM

Example Poem

Just-Married(Double Seven)

I wonder if the bridegroom
has accepted yet the fact
that access to the bathroom
will be science, inexact.

I she wants to go shopping
and he's planned a poker game,
I think that he'll be copping
friends a plea they'll know is lame.

But he may find his laundry
looks much better than before
and find there is no quandary
for it's him she does adore.

© Lawrencealot - February 24, 2014

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Where the red letters indicate lines with feminine rhyme.

Saturday, February 22, 2014

Trochetta


The Trochetta, created by Lisa La Grange of Allpoetry.

Stanzaic,              three or more quatrains
Syllabic,               8/5/8/5
Rhyme pattern:  abab (a-rhymes are feminine)

Meter:                  trochaic

My Example poem

Puppy Dreams     (Trochetta)

Dogs do dream I have a notion-
dreams of pleasant things.
Mine can't dream about the ocean
nor the pomp of kings.

Ocean's spray he's not discovered,
royalty's abstract!
Grizzy burrows under covers
firm against my back.

Twitches might mean he is running
after his green ball;
Maybe he's supine and sunning
waiting for my call.

© Lawrencealot - February 22, 2014

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